TRANSITIONS CRUNCH DISORDER
An indispensable collection of dramatic cues designed to transition from scene to scene or from scenes to act breaks, featuring abrasive, pulsating and industrial elements.
Q-Factory Music isn’t just a label, it’s a legend in trailer sound design industry.
The Q-Factory catalogue, based in Los Angeles, currently consists of over 75 meticulously created albums comprising more than 3,500 instrumental tracks, all either produced or executive produced by Robert Etoll.
Originally hailing from upstate New York, Etoll got his start in music after being tapped by Paramount Pictures to work on The Godfather: Part III.
25 years later, Etoll has built Q-Factory album by album, creating his own compositions along with contributions from other specialist trailer composers, often trained by Etoll himself. He is a true pioneer in creating sound design and epic hybrid music for licensing, and Q-Factory sound design has become the gold standard for movie trailer soundtracks.
The library is utilised by virtually every film studio and TV network for their trailers and promos. Q-Factory music and sound design can be heard in recent marketing campaigns for, among many others, Frankenstein, Wicked, K-Pop: Demon Hunters, Mission Impossible: The Final Reckoning, Happy Gilmour 2 and Netflix’s Squid Games.
Discover more from Q-Factory here by exploring our three different collections: